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PLAY-100 · 2026 Edition

Best Authors

The best authors and news of «Textile Artists». Refreshed weekly.

Oksana HoianiukBest Authors1Oksana Hoianiuk
Best Authors
Myroslava Zahorska2Myroslava ZahorskaNataliia Tkachenko3Nataliia TkachenkoOksana Levchenko4Oksana LevchenkoSofiia Melnyk5Sofiia Melnyk
The lightest lizhnyk is made from lamb's woolBest News1The lightest lizhnyk is made from lamb's wool
Best News
The Palace of Arts gave the show its tallest hall2The Palace of Arts gave the show its tallest hallDyeing is shown in an open workshop3Dyeing is shown in an open workshopSilk thread appears in only two tapestries4Silk thread appears in only two tapestriesThree works are shown from both sides5Three works are shown from both sides
Section gallery
Best Authors
Oksana HoianiukOksana HoianiukMyroslava ZahorskaMyroslava ZahorskaNataliia TkachenkoNataliia TkachenkoOksana LevchenkoOksana LevchenkoSofiia MelnykSofiia MelnykAndrii KravetsAndrii KravetsDmytro MorozDmytro MorozKateryna VasylenkoKateryna VasylenkoOksana HoianiukOksana HoianiukMyroslava ZahorskaMyroslava ZahorskaNataliia TkachenkoNataliia TkachenkoOksana LevchenkoOksana LevchenkoSofiia MelnykSofiia MelnykAndrii KravetsAndrii KravetsDmytro MorozDmytro MorozKateryna VasylenkoKateryna VasylenkoOksana HoianiukOksana HoianiukMyroslava ZahorskaMyroslava ZahorskaNataliia TkachenkoNataliia TkachenkoOksana LevchenkoOksana LevchenkoSofiia MelnykSofiia MelnykAndrii KravetsAndrii KravetsDmytro MorozDmytro MorozKateryna VasylenkoKateryna Vasylenko
Best News
The lightest lizhnyk is made from lamb's woolThe lightest lizhnyk is made from lamb's woolThe Palace of Arts gave the show its tallest hallThe Palace of Arts gave the show its tallest hallDyeing is shown in an open workshopDyeing is shown in an open workshopSilk thread appears in only two tapestriesSilk thread appears in only two tapestriesThree works are shown from both sidesThree works are shown from both sidesAn industrial district in greysAn industrial district in greysThe next showing is planned for LvivThe next showing is planned for LvivThe same sign appears on carved chestsThe same sign appears on carved chestsFleece samples from eight breeds are shown alongsideFleece samples from eight breeds are shown alongsideThe autumn piece was dyed with onion skinThe autumn piece was dyed with onion skinRed from root, green from leafRed from root, green from leafWhy the green here is always mutedWhy the green here is always mutedThe longer the fulling, the heavier the lizhnyk — and that is not always betterThe longer the fulling, the heavier the lizhnyk — and that is not always betterThe tapestry 'Thread and Word' leaves the warp exposed on purposeThe tapestry 'Thread and Word' leaves the warp exposed on purposeFour seasons, four dyeingsFour seasons, four dyeingsThe programme includes three weaving workshopsThe programme includes three weaving workshopsWhy the display holds no preparatory drawingsWhy the display holds no preparatory drawingsThe warp is left exposed in every workThe warp is left exposed in every workThe eight-pointed star across ten worksThe eight-pointed star across ten worksMyroslava Zahorska shows a new tapestry series in LvivMyroslava Zahorska shows a new tapestry series in Lviv'Highland Meadow at Dawn' is shown for the first time'Highland Meadow at Dawn' is shown for the first timeOne lizhnyk takes about three weeksOne lizhnyk takes about three weeksThe show asks whether colour is needed at allThe show asks whether colour is needed at allThe difference between flocks shows more than dyeingThe difference between flocks shows more than dyeingThe show runs as long as the snow liesThe show runs as long as the snow liesHand-dyed wool fades differentlyHand-dyed wool fades differentlyLingonberry gives not colour but motifLingonberry gives not colour but motifYarn samples before and after dyeing are shown alongsideYarn samples before and after dyeing are shown alongsideMachine fulling gives an evener resultMachine fulling gives an evener resultThe structure is traditional, the palette is notThe structure is traditional, the palette is notA craft that never brokeA craft that never brokeEight facades reduced to rectanglesEight facades reduced to rectanglesThe warp will be cut in front of visitors at the closeThe warp will be cut in front of visitors at the closeThe retrospective gathers work from three periodsThe retrospective gathers work from three periodsThe museum opened its second floor for the showThe museum opened its second floor for the showMountain sheep wool is coarser than lowland woolMountain sheep wool is coarser than lowland woolWhy these works hold no diagonalWhy these works hold no diagonalNot one dye in the whole exhibitionNot one dye in the whole exhibitionThe winter tapestry is the lightest in the showThe winter tapestry is the lightest in the showThe madder for the red is grown near LvivThe madder for the red is grown near LvivThe craft rests on about ten familiesThe craft rests on about ten familiesThe museum is recording conversations with the weaversThe museum is recording conversations with the weaversMadder holds on wool for decadesMadder holds on wool for decadesDzyga shows the works without glassDzyga shows the works without glassHow wool is dyed with alder bark — briefly about the methodHow wool is dyed with alder bark — briefly about the methodThe institute opened its workshop to visitorsThe institute opened its workshop to visitorsYounger weavers are returning to natural dyesYounger weavers are returning to natural dyesThe oldest lizhnyk in the show dates from the 1930sThe oldest lizhnyk in the show dates from the 1930sA dye recipe manual is due before the closeA dye recipe manual is due before the closeOksana Hoianiuk fulls her lizhnyky in a mountain streamOksana Hoianiuk fulls her lizhnyky in a mountain streamPostcards with the patterns were issued for the showPostcards with the patterns were issued for the showHalf the participants dye their own yarnHalf the participants dye their own yarnTwelve weavers of the Kosiv area in one hallTwelve weavers of the Kosiv area in one hallSamples at different stages are on displaySamples at different stages are on displayThe snow is woven from the same wool as the skyThe snow is woven from the same wool as the skyDzyga is preparing an evening with city photographersDzyga is preparing an evening with city photographersPotocki Palace gave the show its own hallsPotocki Palace gave the show its own hallsThe darkest wool in 'Spruce Night' is not dyed at allThe darkest wool in 'Spruce Night' is not dyed at allIvano-Frankivsk sees these works for the first timeIvano-Frankivsk sees these works for the first timeWater temperature changes the densityWater temperature changes the densityWhy the rhombus has held on lizhnyky for centuriesWhy the rhombus has held on lizhnyky for centuriesThe catalogue gives technical descriptions for the first timeThe catalogue gives technical descriptions for the first timeThe museum shows the patterns beside pysankyThe museum shows the patterns beside pysankyKateryna Vasylenko — fashion newsKateryna Vasylenko — fashion newsThe rhombus pattern stays, the colour turns terracottaThe rhombus pattern stays, the colour turns terracottaThe group show gathers nine weaversThe group show gathers nine weaversA loom with an unfinished work stands in the hallA loom with an unfinished work stands in the hallStream fulling takes up to half a dayStream fulling takes up to half a dayAn exhibition about a single stage of the workAn exhibition about a single stage of the workThe artist leads the Saturday tours herselfThe artist leads the Saturday tours herselfThe catalogue was printed on linen paperThe catalogue was printed on linen paperPart of the works will enter the museum collectionPart of the works will enter the museum collectionThe ground is woven in two shades of greyThe ground is woven in two shades of greyWool of two thicknesses gives a relief that a photograph missesWool of two thicknesses gives a relief that a photograph missesThree shades of ochre and one blue: on the palette of 'Bells of St. George'Three shades of ochre and one blue: on the palette of 'Bells of St. George'The darkest passages are dyed with alder barkThe darkest passages are dyed with alder barkKateryna continues to amaze the fashion community with new collections and showsKateryna continues to amaze the fashion community with new collections and showsThe programme includes a day workshop for childrenThe programme includes a day workshop for childrenThe oldest work in the show is forty years oldThe oldest work in the show is forty years oldThe show opens with an empty loomThe show opens with an empty loomA shift from cream to pale yellow rests on wool from different flocksA shift from cream to pale yellow rests on wool from different flocksKateryna Vasylenko — fashion newsKateryna Vasylenko — fashion newsKateryna Vasylenko — fashion newsKateryna Vasylenko — fashion newsKateryna Vasylenko — fashion newsKateryna Vasylenko — fashion newsThe whole palette comes from three plantsThe whole palette comes from three plantsThe 'Sophia Domes' motif and its meaning — Yevheniia ShudriaThe 'Sophia Domes' motif and its meaning — Yevheniia ShudriaA workshop on the 'Chestnuts' motif — Yevheniia ShudriaA workshop on the 'Chestnuts' motif — Yevheniia ShudriaA tour of the exhibition 'Dnipro Slopes' — Yevheniia ShudriaA tour of the exhibition 'Dnipro Slopes' — Yevheniia ShudriaTextile as an art in its own rightTextile as an art in its own rightThree regions in one hallThree regions in one hallThe largest exhibit is four metres acrossThe largest exhibit is four metres acrossThe museum opened its stores for comparisonThe museum opened its stores for comparisonThe show runs to the end of autumnThe show runs to the end of autumnNew series 'Polonyna' — Andrii BortnykNew series 'Polonyna' — Andrii BortnykOpen studio: how 'Cheremosh' takes shape — Andrii BortnykOpen studio: how 'Cheremosh' takes shape — Andrii BortnykTechnique up close in the piece 'Chornohora' — Andrii BortnykTechnique up close in the piece 'Chornohora' — Andrii BortnykBeginners' workshop: the 'Spruce Shade' motif — Andrii BortnykBeginners' workshop: the 'Spruce Shade' motif — Andrii BortnykThe piece 'Shepherds' Fire' goes on show — Andrii BortnykThe piece 'Shepherds' Fire' goes on show — Andrii BortnykExhibition 'Warm Season': Reshetylivka tapestry — Olha PiliuhinaExhibition 'Warm Season': Reshetylivka tapestry — Olha PiliuhinaA talk on the tradition: the 'Cherry Blossom' motif — Olha PiliuhinaA talk on the tradition: the 'Cherry Blossom' motif — Olha PiliuhinaThe lightest lizhnyk is made from lamb's woolThe lightest lizhnyk is made from lamb's woolThe Palace of Arts gave the show its tallest hallThe Palace of Arts gave the show its tallest hallDyeing is shown in an open workshopDyeing is shown in an open workshopSilk thread appears in only two tapestriesSilk thread appears in only two tapestriesThree works are shown from both sidesThree works are shown from both sidesAn industrial district in greysAn industrial district in greysThe next showing is planned for LvivThe next showing is planned for LvivThe same sign appears on carved chestsThe same sign appears on carved chestsFleece samples from eight breeds are shown alongsideFleece samples from eight breeds are shown alongsideThe autumn piece was dyed with onion skinThe autumn piece was dyed with onion skinRed from root, green from leafRed from root, green from leafWhy the green here is always mutedWhy the green here is always mutedThe longer the fulling, the heavier the lizhnyk — and that is not always betterThe longer the fulling, the heavier the lizhnyk — and that is not always betterThe tapestry 'Thread and Word' leaves the warp exposed on purposeThe tapestry 'Thread and Word' leaves the warp exposed on purposeFour seasons, four dyeingsFour seasons, four dyeingsThe programme includes three weaving workshopsThe programme includes three weaving workshopsWhy the display holds no preparatory drawingsWhy the display holds no preparatory drawingsThe warp is left exposed in every workThe warp is left exposed in every workThe eight-pointed star across ten worksThe eight-pointed star across ten worksMyroslava Zahorska shows a new tapestry series in LvivMyroslava Zahorska shows a new tapestry series in Lviv'Highland Meadow at Dawn' is shown for the first time'Highland Meadow at Dawn' is shown for the first timeOne lizhnyk takes about three weeksOne lizhnyk takes about three weeksThe show asks whether colour is needed at allThe show asks whether colour is needed at allThe difference between flocks shows more than dyeingThe difference between flocks shows more than dyeingThe show runs as long as the snow liesThe show runs as long as the snow liesHand-dyed wool fades differentlyHand-dyed wool fades differentlyLingonberry gives not colour but motifLingonberry gives not colour but motifYarn samples before and after dyeing are shown alongsideYarn samples before and after dyeing are shown alongsideMachine fulling gives an evener resultMachine fulling gives an evener resultThe structure is traditional, the palette is notThe structure is traditional, the palette is notA craft that never brokeA craft that never brokeEight facades reduced to rectanglesEight facades reduced to rectanglesThe warp will be cut in front of visitors at the closeThe warp will be cut in front of visitors at the closeThe retrospective gathers work from three periodsThe retrospective gathers work from three periodsThe museum opened its second floor for the showThe museum opened its second floor for the showMountain sheep wool is coarser than lowland woolMountain sheep wool is coarser than lowland woolWhy these works hold no diagonalWhy these works hold no diagonalNot one dye in the whole exhibitionNot one dye in the whole exhibitionThe winter tapestry is the lightest in the showThe winter tapestry is the lightest in the showThe madder for the red is grown near LvivThe madder for the red is grown near LvivThe craft rests on about ten familiesThe craft rests on about ten familiesThe museum is recording conversations with the weaversThe museum is recording conversations with the weaversMadder holds on wool for decadesMadder holds on wool for decadesDzyga shows the works without glassDzyga shows the works without glassHow wool is dyed with alder bark — briefly about the methodHow wool is dyed with alder bark — briefly about the methodThe institute opened its workshop to visitorsThe institute opened its workshop to visitorsYounger weavers are returning to natural dyesYounger weavers are returning to natural dyesThe oldest lizhnyk in the show dates from the 1930sThe oldest lizhnyk in the show dates from the 1930sA dye recipe manual is due before the closeA dye recipe manual is due before the closeOksana Hoianiuk fulls her lizhnyky in a mountain streamOksana Hoianiuk fulls her lizhnyky in a mountain streamPostcards with the patterns were issued for the showPostcards with the patterns were issued for the showHalf the participants dye their own yarnHalf the participants dye their own yarnTwelve weavers of the Kosiv area in one hallTwelve weavers of the Kosiv area in one hallSamples at different stages are on displaySamples at different stages are on displayThe snow is woven from the same wool as the skyThe snow is woven from the same wool as the skyDzyga is preparing an evening with city photographersDzyga is preparing an evening with city photographersPotocki Palace gave the show its own hallsPotocki Palace gave the show its own hallsThe darkest wool in 'Spruce Night' is not dyed at allThe darkest wool in 'Spruce Night' is not dyed at allIvano-Frankivsk sees these works for the first timeIvano-Frankivsk sees these works for the first timeWater temperature changes the densityWater temperature changes the densityWhy the rhombus has held on lizhnyky for centuriesWhy the rhombus has held on lizhnyky for centuriesThe catalogue gives technical descriptions for the first timeThe catalogue gives technical descriptions for the first timeThe museum shows the patterns beside pysankyThe museum shows the patterns beside pysankyKateryna Vasylenko — fashion newsKateryna Vasylenko — fashion newsThe rhombus pattern stays, the colour turns terracottaThe rhombus pattern stays, the colour turns terracottaThe group show gathers nine weaversThe group show gathers nine weaversA loom with an unfinished work stands in the hallA loom with an unfinished work stands in the hallStream fulling takes up to half a dayStream fulling takes up to half a dayAn exhibition about a single stage of the workAn exhibition about a single stage of the workThe artist leads the Saturday tours herselfThe artist leads the Saturday tours herselfThe catalogue was printed on linen paperThe catalogue was printed on linen paperPart of the works will enter the museum collectionPart of the works will enter the museum collectionThe ground is woven in two shades of greyThe ground is woven in two shades of greyWool of two thicknesses gives a relief that a photograph missesWool of two thicknesses gives a relief that a photograph missesThree shades of ochre and one blue: on the palette of 'Bells of St. George'Three shades of ochre and one blue: on the palette of 'Bells of St. George'The darkest passages are dyed with alder barkThe darkest passages are dyed with alder barkKateryna continues to amaze the fashion community with new collections and showsKateryna continues to amaze the fashion community with new collections and showsThe programme includes a day workshop for childrenThe programme includes a day workshop for childrenThe oldest work in the show is forty years oldThe oldest work in the show is forty years oldThe show opens with an empty loomThe show opens with an empty loomA shift from cream to pale yellow rests on wool from different flocksA shift from cream to pale yellow rests on wool from different flocksKateryna Vasylenko — fashion newsKateryna Vasylenko — fashion newsKateryna Vasylenko — fashion newsKateryna Vasylenko — fashion newsKateryna Vasylenko — fashion newsKateryna Vasylenko — fashion newsThe whole palette comes from three plantsThe whole palette comes from three plantsThe 'Sophia Domes' motif and its meaning — Yevheniia ShudriaThe 'Sophia Domes' motif and its meaning — Yevheniia ShudriaA workshop on the 'Chestnuts' motif — Yevheniia ShudriaA workshop on the 'Chestnuts' motif — Yevheniia ShudriaA tour of the exhibition 'Dnipro Slopes' — Yevheniia ShudriaA tour of the exhibition 'Dnipro Slopes' — Yevheniia ShudriaTextile as an art in its own rightTextile as an art in its own rightThree regions in one hallThree regions in one hallThe largest exhibit is four metres acrossThe largest exhibit is four metres acrossThe museum opened its stores for comparisonThe museum opened its stores for comparisonThe show runs to the end of autumnThe show runs to the end of autumnNew series 'Polonyna' — Andrii BortnykNew series 'Polonyna' — Andrii BortnykOpen studio: how 'Cheremosh' takes shape — Andrii BortnykOpen studio: how 'Cheremosh' takes shape — Andrii BortnykTechnique up close in the piece 'Chornohora' — Andrii BortnykTechnique up close in the piece 'Chornohora' — Andrii BortnykBeginners' workshop: the 'Spruce Shade' motif — Andrii BortnykBeginners' workshop: the 'Spruce Shade' motif — Andrii BortnykThe piece 'Shepherds' Fire' goes on show — Andrii BortnykThe piece 'Shepherds' Fire' goes on show — Andrii BortnykExhibition 'Warm Season': Reshetylivka tapestry — Olha PiliuhinaExhibition 'Warm Season': Reshetylivka tapestry — Olha PiliuhinaA talk on the tradition: the 'Cherry Blossom' motif — Olha PiliuhinaA talk on the tradition: the 'Cherry Blossom' motif — Olha PiliuhinaThe lightest lizhnyk is made from lamb's woolThe lightest lizhnyk is made from lamb's woolThe Palace of Arts gave the show its tallest hallThe Palace of Arts gave the show its tallest hallDyeing is shown in an open workshopDyeing is shown in an open workshopSilk thread appears in only two tapestriesSilk thread appears in only two tapestriesThree works are shown from both sidesThree works are shown from both sidesAn industrial district in greysAn industrial district in greysThe next showing is planned for LvivThe next showing is planned for LvivThe same sign appears on carved chestsThe same sign appears on carved chestsFleece samples from eight breeds are shown alongsideFleece samples from eight breeds are shown alongsideThe autumn piece was dyed with onion skinThe autumn piece was dyed with onion skinRed from root, green from leafRed from root, green from leafWhy the green here is always mutedWhy the green here is always mutedThe longer the fulling, the heavier the lizhnyk — and that is not always betterThe longer the fulling, the heavier the lizhnyk — and that is not always betterThe tapestry 'Thread and Word' leaves the warp exposed on purposeThe tapestry 'Thread and Word' leaves the warp exposed on purposeFour seasons, four dyeingsFour seasons, four dyeingsThe programme includes three weaving workshopsThe programme includes three weaving workshopsWhy the display holds no preparatory drawingsWhy the display holds no preparatory drawingsThe warp is left exposed in every workThe warp is left exposed in every workThe eight-pointed star across ten worksThe eight-pointed star across ten worksMyroslava Zahorska shows a new tapestry series in LvivMyroslava Zahorska shows a new tapestry series in Lviv'Highland Meadow at Dawn' is shown for the first time'Highland Meadow at Dawn' is shown for the first timeOne lizhnyk takes about three weeksOne lizhnyk takes about three weeksThe show asks whether colour is needed at allThe show asks whether colour is needed at allThe difference between flocks shows more than dyeingThe difference between flocks shows more than dyeingThe show runs as long as the snow liesThe show runs as long as the snow liesHand-dyed wool fades differentlyHand-dyed wool fades differentlyLingonberry gives not colour but motifLingonberry gives not colour but motifYarn samples before and after dyeing are shown alongsideYarn samples before and after dyeing are shown alongsideMachine fulling gives an evener resultMachine fulling gives an evener resultThe structure is traditional, the palette is notThe structure is traditional, the palette is notA craft that never brokeA craft that never brokeEight facades reduced to rectanglesEight facades reduced to rectanglesThe warp will be cut in front of visitors at the closeThe warp will be cut in front of visitors at the closeThe retrospective gathers work from three periodsThe retrospective gathers work from three periodsThe museum opened its second floor for the showThe museum opened its second floor for the showMountain sheep wool is coarser than lowland woolMountain sheep wool is coarser than lowland woolWhy these works hold no diagonalWhy these works hold no diagonalNot one dye in the whole exhibitionNot one dye in the whole exhibitionThe winter tapestry is the lightest in the showThe winter tapestry is the lightest in the showThe madder for the red is grown near LvivThe madder for the red is grown near LvivThe craft rests on about ten familiesThe craft rests on about ten familiesThe museum is recording conversations with the weaversThe museum is recording conversations with the weaversMadder holds on wool for decadesMadder holds on wool for decadesDzyga shows the works without glassDzyga shows the works without glassHow wool is dyed with alder bark — briefly about the methodHow wool is dyed with alder bark — briefly about the methodThe institute opened its workshop to visitorsThe institute opened its workshop to visitorsYounger weavers are returning to natural dyesYounger weavers are returning to natural dyesThe oldest lizhnyk in the show dates from the 1930sThe oldest lizhnyk in the show dates from the 1930sA dye recipe manual is due before the closeA dye recipe manual is due before the closeOksana Hoianiuk fulls her lizhnyky in a mountain streamOksana Hoianiuk fulls her lizhnyky in a mountain streamPostcards with the patterns were issued for the showPostcards with the patterns were issued for the showHalf the participants dye their own yarnHalf the participants dye their own yarnTwelve weavers of the Kosiv area in one hallTwelve weavers of the Kosiv area in one hallSamples at different stages are on displaySamples at different stages are on displayThe snow is woven from the same wool as the skyThe snow is woven from the same wool as the skyDzyga is preparing an evening with city photographersDzyga is preparing an evening with city photographersPotocki Palace gave the show its own hallsPotocki Palace gave the show its own hallsThe darkest wool in 'Spruce Night' is not dyed at allThe darkest wool in 'Spruce Night' is not dyed at allIvano-Frankivsk sees these works for the first timeIvano-Frankivsk sees these works for the first timeWater temperature changes the densityWater temperature changes the densityWhy the rhombus has held on lizhnyky for centuriesWhy the rhombus has held on lizhnyky for centuriesThe catalogue gives technical descriptions for the first timeThe catalogue gives technical descriptions for the first timeThe museum shows the patterns beside pysankyThe museum shows the patterns beside pysankyKateryna Vasylenko — fashion newsKateryna Vasylenko — fashion newsThe rhombus pattern stays, the colour turns terracottaThe rhombus pattern stays, the colour turns terracottaThe group show gathers nine weaversThe group show gathers nine weaversA loom with an unfinished work stands in the hallA loom with an unfinished work stands in the hallStream fulling takes up to half a dayStream fulling takes up to half a dayAn exhibition about a single stage of the workAn exhibition about a single stage of the workThe artist leads the Saturday tours herselfThe artist leads the Saturday tours herselfThe catalogue was printed on linen paperThe catalogue was printed on linen paperPart of the works will enter the museum collectionPart of the works will enter the museum collectionThe ground is woven in two shades of greyThe ground is woven in two shades of greyWool of two thicknesses gives a relief that a photograph missesWool of two thicknesses gives a relief that a photograph missesThree shades of ochre and one blue: on the palette of 'Bells of St. George'Three shades of ochre and one blue: on the palette of 'Bells of St. George'The darkest passages are dyed with alder barkThe darkest passages are dyed with alder barkKateryna continues to amaze the fashion community with new collections and showsKateryna continues to amaze the fashion community with new collections and showsThe programme includes a day workshop for childrenThe programme includes a day workshop for childrenThe oldest work in the show is forty years oldThe oldest work in the show is forty years oldThe show opens with an empty loomThe show opens with an empty loomA shift from cream to pale yellow rests on wool from different flocksA shift from cream to pale yellow rests on wool from different flocksKateryna Vasylenko — fashion newsKateryna Vasylenko — fashion newsKateryna Vasylenko — fashion newsKateryna Vasylenko — fashion newsKateryna Vasylenko — fashion newsKateryna Vasylenko — fashion newsThe whole palette comes from three plantsThe whole palette comes from three plantsThe 'Sophia Domes' motif and its meaning — Yevheniia ShudriaThe 'Sophia Domes' motif and its meaning — Yevheniia ShudriaA workshop on the 'Chestnuts' motif — Yevheniia ShudriaA workshop on the 'Chestnuts' motif — Yevheniia ShudriaA tour of the exhibition 'Dnipro Slopes' — Yevheniia ShudriaA tour of the exhibition 'Dnipro Slopes' — Yevheniia ShudriaTextile as an art in its own rightTextile as an art in its own rightThree regions in one hallThree regions in one hallThe largest exhibit is four metres acrossThe largest exhibit is four metres acrossThe museum opened its stores for comparisonThe museum opened its stores for comparisonThe show runs to the end of autumnThe show runs to the end of autumnNew series 'Polonyna' — Andrii BortnykNew series 'Polonyna' — Andrii BortnykOpen studio: how 'Cheremosh' takes shape — Andrii BortnykOpen studio: how 'Cheremosh' takes shape — Andrii BortnykTechnique up close in the piece 'Chornohora' — Andrii BortnykTechnique up close in the piece 'Chornohora' — Andrii BortnykBeginners' workshop: the 'Spruce Shade' motif — Andrii BortnykBeginners' workshop: the 'Spruce Shade' motif — Andrii BortnykThe piece 'Shepherds' Fire' goes on show — Andrii BortnykThe piece 'Shepherds' Fire' goes on show — Andrii BortnykExhibition 'Warm Season': Reshetylivka tapestry — Olha PiliuhinaExhibition 'Warm Season': Reshetylivka tapestry — Olha PiliuhinaA talk on the tradition: the 'Cherry Blossom' motif — Olha PiliuhinaA talk on the tradition: the 'Cherry Blossom' motif — Olha Piliuhina
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